Shimon Finkelstein is a designer and artist whose work is rooted in the natural landscape. Working primarily with reclaimed wood, sea glass, driftwood, and other materials gathered along the shoreline, he transforms found objects into functional pieces that celebrate their history and character.
Inspired by the textures, forms, and rhythms of nature, each work is thoughtfully composed by combining these reclaimed materials with metal, copper, and handcrafted elements to create lighting, furniture, and sculptural objects. Rather than concealing the imperfections left by time and the sea, his practice embraces them, allowing every piece to retain a sense of place and individuality.
Every creation is one of a kind, balancing craftsmanship, sustainability, and thoughtful design. Through this process, discarded natural and industrial materials are given a new purpose, becoming timeless objects that bridge art, function, and the enduring beauty of the natural world.
Originally designed for a private commission, the table is named Genio (“genius” in Italian) both for certain clever design details and for the person who commissioned it, named Eugenio.
The tubes are laser-cut to remove sections of material, allowing them to bend to a precise radius. They’re curved along their edges rather than their faces, providing the ledge that supports the glass top along its beveled edge. The glass sits flush within the frame, creating the effect of looking through a car window.
Originally designed for a private commission, the table is named Genio (“genius” in Italian) both for certain clever design details and for the person who commissioned it, named Eugenio.
The tubes are laser-cut to remove sections of material, allowing them to bend to a precise radius. They’re curved along their edges rather than their faces, providing the ledge that supports the glass top along its beveled edge. The glass sits flush within the frame, creating the effect of looking through a car window.
Originally designed for a private commission, the table is named Genio (“genius” in Italian) both for certain clever design details and for the person who commissioned it, named Eugenio.
The tubes are laser-cut to remove sections of material, allowing them to bend to a precise radius. They’re curved along their edges rather than their faces, providing the ledge that supports the glass top along its beveled edge. The glass sits flush within the frame, creating the effect of looking through a car window.
Originally designed for a private commission, the table is named Genio (“genius” in Italian) both for certain clever design details and for the person who commissioned it, named Eugenio.
The tubes are laser-cut to remove sections of material, allowing them to bend to a precise radius. They’re curved along their edges rather than their faces, providing the ledge that supports the glass top along its beveled edge. The glass sits flush within the frame, creating the effect of looking through a car window.
